BEATS OF THE ANTONOV tells the story of the people of the Blue Nile and Nuba Mountains in Sudan, showing how they deal with civil war. Release Date. Beats of the Antonov explores how music binds a community together, offering hope and a common Premiere Date: August 2, | Runtime: With our documentary broadcasts, original online programming and community. Beats of the AntonovThu 29 Oct only. Hajooj Kuka • Sudan/South Africa • 1h8m • Digital • Arabic with English subtitles • 15DocumentaryA music movement .
POV | Beats of the Antonov: Trailer | Georgia Public Broadcasting
France's Diversity Schemes Are Failing Students of Color Higher education is key to getting a job in France's creative industries but many minority students still feel shut out of the system. Like many students of color from a low-income background, Jouini has had to rely solely on her schoolwork to get into one of her dream schools, a prerequisite for getting a good job in France's rigid system.
But the competition is fierce and more than anything, the game rigged against people like her: And even after getting in, French institutions of higher education can still drive away many hopeful and talented students who do not fit the mold.
Music, Identity & War In Sudan: Beats Of The Antonov Debuts Online
In France, to get a job in the creative industries, you need to graduate from an art school or college. The more prestigious the school is, the more chances one has to succeed.
However, most art schools don't even address the fact that the majority of students admitted are white and middle to upper class. While there may be between 3 to 5 million black people living in the Paris region alone its prestigious schools don't reflect this at all. Most students of color cannot break through the glass ceiling and struggle even more than their white counterpart to study in the creative industries.
A study by l'Insee The French National Institute of Statistics and Economic Studies shows that in the country's most prestigious schools, educational inequality is getting worse for students from a low income background.
It is even worse in the arts: The reality is that the "best" students tend to be the ones who can afford to take time off to dutily prepare for the exams.
Beats of the Antonov
They tend to be white, from a higher income background and with an unprecedented access to culture starting from birth. Photo via TONL In SeptemberFrench's prestigious school Sciences-Po launched their first diversity schemes to help young people from low income backgrounds enter the school. Since, in the French school system, some high schools located in impoverished zones are part of a ZEP, Zones d'Education Prioritairea program that channels additional resources to schools in disadvantaged areas and encourages the development of new teaching projects, some of them offer the opportunity to their student to take a few special AP classes and at the end of it, they pass an exam to integrate Sciences po, like all the other students in the country.
The only difference is their test is slightly easier to pass. Following the initiative, many schemes have been created: That's why the foundation's workshops try to improve social cohesion by selecting and preparing students to get in the most prestigious art schools. The foundation selects students based on their potential and motivation to succeed. However, having both of these qualities is not an accurate way of improving diversity in these schools. It was new and very hip and I loved it.
The music moved me so much that I knew the story behind it was key. He weaves together the voices of militants, social workers, intellectuals and everyday people to tell the story of refugees reclaiming their humanity in the midst of a complex conflict. Why have we been in back-to-back civil wars since our independence? What is Sudanese music? Who gets to decide all these things? Musician Jodah Bujud plays the rababa, a stringed instrument made from found objects.
They enter a state of happiness.
Beats of the Antonov - Big World Cinema
Anyone has the right to drum. You can use a bucket to drum. In the end everyone sings together. Insaf Awad, a Sudanese refugee, believes that war can actually attach people to their heritage. Ultimately, many of the people in the film say that the war is about the soul of Sudan. Meanwhile, the people of the Blue Nile and Nuba Mountains continue singing and dancing, the beats in their music expressing their heritage both as Africans and as Sudanese.
He is the creative director of 3ayin.